File:Red Eye (2005) - Breitling Chronomat scene.png

Summary

Description: Close-up film frame from Red Eye (2005): Jackson Rippner (Cillian Murphy) reaches across the armrest during the overnight-flight confrontation scene with Lisa Reisert. His right wrist is prominent in the foreground, wearing a stainless-steel chronograph with a black triple-subdial face and a fluted (coin-edge) bezel, consistent with the Breitling Chronomat the page's notes identify. No dial text, bezel markings, or bracelet clasp are sharp enough to confirm a specific reference. Source URL: https://theclock.fandom.com/wiki/File:Red_Eye_4.10_a.m.png (raw file: https://static.wikia.nocookie.net/theclock/images/2/20/Red_Eye_4.10_a.m.png/revision/latest?cb=20200921055000) Source publisher: The Clock Wiki (Fandom), a fan-maintained catalog of the timestamped film clips used in Christian Marclay's 2010 video artwork "The Clock." The wiki's own wikitext for this page reads: "Template:Time A Breitling Chronomat Longitude watch is shown on Jackson Rippner's (Cillian Murphy) wrist. Lisa Reisert (Rachel McAdams) sits on the plane," captioned in its clock gallery as "Red Eye 4.10 a.m." The underlying frame originates from Red Eye (2005), directed by Wes Craven, DreamWorks Pictures. Retrieved: 2026-08-18 License or editorial purpose: Single film frame used for non-commercial editorial identification of an on-screen watch appearance on a film/TV watch-spotting reference wiki, consistent with this catalog's established practice for other screencap sources. Underlying footage remains the copyright of DreamWorks Pictures / Wes Craven Films; no ownership is claimed. Modifications: The host serves this file only as a re-encoded WebP (1920x800, confirmed via response Content-Type despite the ".png" filename), which I converted to PNG (format conversion only). I then ran the standards-mandated fake-upscale check (2x Lanczos downscale, then bicubic upscale back) on that 1920x800 file: whole-frame mean absolute difference was 0.47/255, and 1.53/255 when restricted to the well-lit watch-and-hand region alone (both well under the ~1/255-scale threshold, i.e. under roughly 1.0 on a 0-255 scale). A calibration test against genuine high-resolution reference photos compressed to a similar byte budget produced MAD values several times higher (4-6/255 for a bright, richly textured scene; only a dark, low-texture scene came close to this file's numbers), so content darkness and webp recompression only partly explain the gap. Compounding the concern: this wiki file was uploaded 2020-09-21, roughly two and a half years before Red Eye's first-ever Blu-ray/4K release (Paramount Presents, March 2023) per press coverage, so its true source in 2020 was very likely a DVD (max ~720x480) or an SD/HD digital stream, not a 1080p disc; a 1920-wide upload from that era is plausible to have been upscaled. Given that, I delivered the "honest smaller file": Lanczos-downscaled 2x from the retrieved 1920x800 to 960x400 (exactly halving both dimensions), matching the resolution at which the round-trip test no longer implies invented detail. No crop; the frame's full content is preserved, only reduced in scale. Related page: Red Eye (2005)