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File:The Fugitive Kind (1960) - Rolex (unidentified model) scene.jpg

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Original file (3,600 × 2,160 pixels, file size: 710 KB, MIME type: image/jpeg)

Summary

Description: The Fugitive Kind (1960). Marlon Brando as drifter Valentine "Snakeskin" Xavier, seen from behind/above holding the driver's door of a convertible, wearing his distinctive mottled snakeskin jacket. A round-cased watch on a dark leather strap is visible on his left wrist as he grips the top of the door frame. The dial is overexposed to a white blur with no legible text or hands, but the round case, bezel edge, and dark strap are clearly discernible. Brando's face is not in this particular frame, but the same snakeskin jacket (matching D-ring/cuff pattern) is confirmed on his face in companion frames from the same publisher article (e.g. FugitiveKindMB-CL-Jacket1.jpg), establishing wardrobe continuity to this shot. Sourced from BAMF Style's costume breakdown of the film, which captions this exact frame "Marlon Brando in The Fugitive Kind (1960)" and identifies the watch as likely a Rolex Triple Calendar ref. 8171 "Padellone," matching the on-screen dialogue naming it a Rolex chronometer. Source URL: https://bamfstyle.com/2026/07/16/fugitive-kind-brando-snakeskin/ Source publisher: BAMF Style Retrieved: 2026-08-11 License or editorial purpose: Copyrighted film still used for identification and commentary on the watch worn in the scene (editorial fair use). Modifications: None (full frame as published, no crop; no letterbox bars present). Related page: The Fugitive Kind (1960)

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Date/TimeThumbnailDimensionsUserComment
current21:25, 11 August 2026Thumbnail for version as of 21:25, 11 August 20263,600 × 2,160 (710 KB)Maintenance script (talk | contribs)== Summary == Description: The Fugitive Kind (1960). Marlon Brando as drifter Valentine "Snakeskin" Xavier, seen from behind/above holding the driver's door of a convertible, wearing his distinctive mottled snakeskin jacket. A round-cased watch on a dark leather strap is visible on his left wrist as he grips the top of the door frame. The dial is overexposed to a white blur with no legible text or hands, but the round case, bezel edge, and dark strap are clearly discernible. Brando's face is...

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